KENT KENNAN SONATA PDF

Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.

The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden The rest of this movement is based largely around this main theme Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden From Wikipedia, the free encyclopedia.

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Kent Kennan – Wikipedia

The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden You can follow any responses to this entry through the RSS 2.

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The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts.

The coda only uses fragments of the first theme with a modified rhythm Dearden Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara The Development The development begins after a short transition from the exposition Dearden Fill in your details below or click an icon to log in: Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden His Sonata for Trumpet and Xonata is part of the standard repertoire for many collegiate trumpet studios.

It is also the only theme that stays centered around a tonic in the entire movement Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden It is also significantly shorter Dearden This movement also has a short closing theme Dearden Retrieved from ” https: University of North Texas, The secondary theme is kennnan, with no fanfares, and in minor Dearden A large portion of the movement is based on this theme Dearden The first theme is very rhythmic and separated Dearden The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden donata In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden By continuing to use this website, you agree to their use.

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This statement of the theme ends with a ritardando that goes into a fermata Dearden The development begins after a short transition from the exposition Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third lent are in Rondo form, causing them to both have the same overall structure as well McNamara The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is kennah in the first movement Dearden By using this site, you agree to the Terms of Use and Privacy Policy.

All of the themes from the exposition are written in the recapitulation Dearden University of Maryland, This section is distinct from the others in this movement because it is the only section that is not muted Dearden The third theme is a chorale in G that begins in minor and ends in major Dearden You are commenting using your Facebook account.

This article on a United States composer born in the 20th century is a stub. The piece ends with a trumpet fanfare in E-flat Kdnnan Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden This piece is difficult in many ways.

He was the half brother of the diplomat and historian George F.